kurgs:

skeletongrazed:

skeletongrazed:

what’s the difference between a dirty bus stop and a lobster with breast implants ?

one’s a crusty bus station and one’s a busty crustacean

#i’ve told this joke a million times and it NEVER fails

88,520 notes

dbvictoria:

Add for German home improvement company shows dad doing something special for his goth daughter.

(x)

2,404 notes

latimes:

latimespast:

"Mary Poppins" began its "regular engagement" at the Chinese Theater 50 years ago today. When The Times reviewed it (earlier in August of 1964), Philip K. Scheuer wrote:

"Mary Poppins" is the complete fantasy. It will amaze and delight more people than you can count, and I imagine quite a lot of them won’t be kids, either. I must admit that it entertained me most of the time, but I must add that I am something of a square: It also discombobulated me.

Scheuer goes on to explain that the fantastical elements — the fact that in the film “reality is nearly nonexistent” — weren’t to his liking. 

But soon we become conscious that the feats the dancers are performing are plainly beyond human ability to accomplish. And “Oh!” we say. “Trick stuff.” In direct ratio then, our admiration for the skill of the dancers as dancers (despite its having been considerable) is dissipated in a more routine respect for what the special-effects men can do.

That seems to rather miss the point of a movie that pairs Dick Van Dyke with dancing penguins. But Scheuer has a lovely turn when he addresses the stars, Van Dyke and Julie Andrews.

It is the first movie role for Miss Andrews of the stage’s “My Fair Lady” and “Camelot,” and she plays it coyly and captivatingly. Her singing voice, of course, is liquid sweetness. And she swings a wicked soft shoe. Paired happily with her (no romance, you know, but the two seem to share a winking secret) is Dick Van Dyke as Bert, who shows up in various guises — a street musician, a chalk-pavement artist, a sport, a chimney sweep and a surprise character — without any explanation. What they have in common are Dick Van Dyke and a cockney accent.

Read the rest here: Disney Fantasy Film — Amazement and Delight, Even for Grownups, Squares (1964, “Mary Poppins” review in the Los Angeles Times)
That singing voice of “liquid sweetness” helped Andrews win the Oscar for best actress at the 37th Academy Awards — Andrews is seen above with Audrey Hepburn, who starred in 1964’s best picture, “My Fair Lady.”
— Matt Ballinger
Original published caption, April 6, 1965: TWO ‘FAIR LADIES’ — Audrey Hepburn, the film’s “My Fair Lady,” congratulates Julie Andrews, right, star of the stage version, on winning the best actress for her performance in film “Mary Poppins.” Credit: Los Angeles Times

Karen Dotrice, who played young Jane Banks, spoke to Times reporter Susan King last year about the experience, and fondly recalled the man she still refers to as “Uncle Walt” (Walt Disney, of course).
"The joy that you see on the screen is the joy we felt," Dotrice said of working on "Mary Poppins."

latimes:

latimespast:

"Mary Poppins" began its "regular engagement" at the Chinese Theater 50 years ago today. When The Times reviewed it (earlier in August of 1964), Philip K. Scheuer wrote:

"Mary Poppins" is the complete fantasy. It will amaze and delight more people than you can count, and I imagine quite a lot of them won’t be kids, either. I must admit that it entertained me most of the time, but I must add that I am something of a square: It also discombobulated me.

Scheuer goes on to explain that the fantastical elements — the fact that in the film “reality is nearly nonexistent” — weren’t to his liking. 

But soon we become conscious that the feats the dancers are performing are plainly beyond human ability to accomplish. And “Oh!” we say. “Trick stuff.” In direct ratio then, our admiration for the skill of the dancers as dancers (despite its having been considerable) is dissipated in a more routine respect for what the special-effects men can do.

That seems to rather miss the point of a movie that pairs Dick Van Dyke with dancing penguins. But Scheuer has a lovely turn when he addresses the stars, Van Dyke and Julie Andrews.

It is the first movie role for Miss Andrews of the stage’s “My Fair Lady” and “Camelot,” and she plays it coyly and captivatingly. Her singing voice, of course, is liquid sweetness. And she swings a wicked soft shoe. Paired happily with her (no romance, you know, but the two seem to share a winking secret) is Dick Van Dyke as Bert, who shows up in various guises — a street musician, a chalk-pavement artist, a sport, a chimney sweep and a surprise character — without any explanation. What they have in common are Dick Van Dyke and a cockney accent.

Read the rest here: Disney Fantasy Film — Amazement and Delight, Even for Grownups, Squares (1964, “Mary Poppins” review in the Los Angeles Times)

That singing voice of “liquid sweetness” helped Andrews win the Oscar for best actress at the 37th Academy Awards — Andrews is seen above with Audrey Hepburn, who starred in 1964’s best picture, “My Fair Lady.”

Matt Ballinger

Original published caption, April 6, 1965: TWO ‘FAIR LADIES’ — Audrey Hepburn, the film’s “My Fair Lady,” congratulates Julie Andrews, right, star of the stage version, on winning the best actress for her performance in film “Mary Poppins.” Credit: Los Angeles Times

Karen Dotrice, who played young Jane Banks, spoke to Times reporter Susan King last year about the experience, and fondly recalled the man she still refers to as “Uncle Walt” (Walt Disney, of course).

"The joy that you see on the screen is the joy we felt," Dotrice said of working on "Mary Poppins."

172 notes

nothingeverlost:

veggieblt:

tin-pan-ali:

papa-scotch:

dextrahoffman:

The Badpiper Thunderstruck (by jackiejet100)

That crowd is so not worthy of this greatness.

HOLY SHIT. FIFTEEN SECONDS IN, IT HAPPENS!

image

IS THAT THING SHOOTING FIRE!?!?!??!

I love that someone looked at bagpipes and thought ‘this could use a little more fire.’

23,995 notes

marfmellow:

Im always smoking though

marfmellow:

Im always smoking though

92 notes

did-you-kno:

Save Our Skulls is a campaign that asks for sponsors to donate $200 to “Adopt a Skull” in order to help preserve those on display at Philadelphia’s Mutter Museum. Source

did-you-kno:

Save Our Skulls is a campaign that asks for sponsors to donate $200 to “Adopt a Skull” in order to help preserve those on display at Philadelphia’s Mutter Museum. Source

1,425 notes

casualdorkpatrol:

archiemcphee:

Here’s yet another awesome thing about Japan: Pigeon Mask Parties.

Whether they’re made of feathers or latex, hanging out in the park or at a bar, it’s clear that pigeons love to flock. Did you know that a group of pigeons is called a loft? That means you could also call these gatherings Loft Parties. It sounds like Pigeon Mask code.

Check out The Pigeon Mask website for more glimpses of our Pigeon Mask in the wild.

[Bottom photo via dots_and_loops via The Pigeon Mask]

WHY

5,498 notes